Steely Dan – Aja (1977)
Bottom Line Up Front: This album is 5 out of 5 stars. Period. End of story. Everyone should absorb Aja into their auditory cortex and enjoy as the other areas of their brain light up like fireworks. If you do not have it in your music collection, your music collection is incomplete. It really is that simple.
Artist Background: Let’s first get this out of the way before we talk about anything else. Steely Dan is named after a dildo from William S. Burroughs‘ 1959 non-linear classic novel Naked Lunch. Now that we know that little fun fact, Steely Dan is basically Walter Becker and Donald Fagen with a collection of session musicians. Originally, the band had more members but these two guys are seriously obsessive about having the perfect sound. And it’s a lot harder to do that if you can’t swap out your musicians on a track by track basis. They even went so far as to use two completely different drum kits in a single song to get the exact sound they wanted. And you can also clearly hear every instrument they feature in their music. Examples like that put Steely Dan in high regards among many audiophiles.
Album Background: How important is this jazz rock record that runs 40 minutes over 7 tracks? So important that it was added to the Library of Congress as part of the United States National Recording Registry for 2010. Aja is the most commercially successful album from the group. It got to number 3 on the US Pop charts. That’s right. Pop charts. Aja is as much pop as it is jazz. I’m not going to list all the musicians involved because it’s a pretty long list. But I highly suggest reading the background of each of them, if you get a chance, to really get an idea of the scope of talent that was involved in the creation of the Aja. And it seems like nothing but their very best was good enough as they auditioned many musicians and even after finding the perfect person for the part, usually many takes were still required. And for those wondering about the cover, that’s a picture of Sayoko Yamaguchi who seems to be Japan’s first international supermodel.
Favorite Track: My favorite track is Deacon Blues. It’s the 3rd track on the album and is 7 minutes and 36 seconds long. I think what put this song over the top for me was the chorus. Not only are the lyrics great, but the way they are delivered is perfect. Just the right amount of backing vocals in the right spots. It also intrigues me that they wrote a song featuring a reference to a college football team, the Alabama Crimson Tide. On a side note, the Crimson Tide happen to be ranked #1 in the nation right now. Even the term “Deacon Blues” has a nice ring to it. The sax solo by Pete Christlieb in this song is also fantastic. And should be as the chorus also makes a reference to playing the saxophone. It’s hard to describe this song as anything other than perfection.
- Engineering The sound recording quality of this album is out of this world. Every morning when I would start it up in my car, the music would catch me off guard because the bass bumped so hard. I don’t know if any rap artists sampled Aja, but they should have. The album did win a Grammy for the quality of the sound recording. Honestly, it would have been a crime for them not to win it. You really can hear every instrument with all the gorgeous details each one provides. All the instruments sound unbelievable. You could listen to the whole album and just focus on what you hear in the background while still enjoying yourself immensely.
- Solos The solos on this album are epic. The sax solo on the second track, Aja, is probably my favorite. Aja is a good 8 minutes long so they have plenty of time to work in an extended solo performance by jazz legend, Wayne Shorter. I just love the way Wayne plays off of everything going around him. It’s such an incredibly powerful and inspiring solo. I remember just being in awe at a red light on my way to work one morning. It’s that good. On top of that, the drum work by Steve Gadd is brilliant. Especially during Wayne’s solo and the outro where Steve just owns it. The whole album is full of awesome moments like this.
- Backing Vocals The backing vocals on this album are especially enjoyable. They compliment the main vocals and instruments so well. I know I keep using the word perfect. But there is no other way to describe this album.
I’m not even including a What Doesn’t section. That would be an insult.
In Conclusion: Go listen to this album right now if you’ve never heard it before. Keep in mind, Spotify has an ad-backed free option now. So take advantage. Why are you still reading this? Go! Now!
Music Video Links:
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2 thoughts on “Week 28 Review”
Oh my gosh, this album brings me back… It came out about a year and a half after I was born and my Dad played it as background music at like every party they threw for years. Lol! While I do enjoy Deacon Blues, I have to admit Peg is my all time favorite. It just sounds so happy. I’m not really sure if it’s meant to be or not (I was trying to look up some lyric meanings just now but it seems to be conjecture instead of something by the guys themselves) but I think it just brings back the best memories for me from this album. 🙂
Yay! Everybody seems to have such happy memories of this album. Their lyrics are pretty cryptic apparently. I really wasn’t that impressed with the lyrics in terms of what any of the stories they told while listening to the album all week. Though I am betting there is way more there than I am seeing given their attention to detail with every other aspect of the song. I do love how the words they chose sounded. I could tell they put a lot of effort into that.