Mr. Oizo – Analog Worms Attack (1999)
Bottom Line Up Front: This is a 3.5 out of 5 stars album. The album has perhaps the greatest bonus track in the history of modern music and is considered to be quite influential for the electronic music genre, which is why the score is as high as it is. However, I found myself bored with this album much of the time as the week progressed. It just doesn’t lend itself to listening on repeat for an entire week.
Artist Background: Mr. Oizo is French electronic musician and director, Quentin Dupieux. His biggest hit is Flat Beat which features the puppet, Flat Eric. Flat Eric starred in a Levi’s commercial which featured the song. It took another half decade before he would release a follow-up, Moustache (Half a Scissor). I’m actually a way bigger fan of his second album which is a very satisfying listen for me given the overall weirdness of it. It’s like I’ve always said: if you aren’t going to be melodic, you damn well better be interesting. Mr. Oizo continues to put out unique music including The Church which he released in late 2014.
Album Background: Analog Worms Attack is an experimental, instrumental hip hop album with a runtime of about 50 minutes. Given the genre, there is a heavy emphasis on bass throughout the entire album. Mr. Oizo at least had an interesting concept with this album, which was to create the entire album with nothing but analog components. Most notably, he used the analog synthesizer, the Korg MS-20. The MS-20 stopped being produced in 1983 but played a big part in the analog revival of the late 1990’s. Quite a few of my favorite artists use the Korg MS-20 to make their music. Mr. Oizo probably couldn’t have picked a better instrument to work with. The album wasn’t made solely by himself as Feadz did most of the turntable work.
Favorite Track: This has to be the easiest time I’ve ever had picking a favorite track from an album. That song is obviously the bonus track, Flat Beat. This song defined an entire era of my life which was about the first 5 or so years after graduating from college. I didn’t quite have the freedom that I had with college life at the time, but I didn’t have all of the responsibilities and commitments that I have now. In other words, good times. I thumped Flat Beat on a Friday or Saturday with a drink in my hand whether the people I shared a wall with liked it or not. And this song still is my go-to for testing out a newly purchased sub-woofer. So why does this song stand out? The music video definitely helps. It’s so entertaining and filled with so many memorable moments; some of which my friend and I would try our best to recreate IRL. For the best listening experience possible, you want to try to imitate Flat Eric’s head bobbing pattern when listening to the song.
And I’m not the only one to love this song. It was a huge hit. It was included in the Top 5 in fifteen countries and even hit number 1 in six countries, including the UK. The fact that this was barely a blip in the United States in 1999 doesn’t surprise me. There’s a lot of songs that are big hits internationally but don’t resonate here. What does register with me is the infectious rolling bass line and the playful approach of the rhythmic patterns Mr. Oizo used with this song. It is a must-listen song if you haven’t heard it yet. Seriously, I gave you a link. Watch the video. Let the puppet make you smile.
- Turntables The scratching done on this album by Feadz was one of the highlights of the album for sure. The thirteenth track, Feadz On, is one of my favorite moments of his. His creative and often delightful technique perfectly complements Mr. Oizo’s often minimalist and repetitive beats. I think if this album would have been more sample heavy with Feadz being a main contributor for every song, this could have easily been one of my all-time favorites.
- Timing The album is kind of unique in that it has four tracks that are under the two minute mark that aren’t skits. It really helped break up the album which had some tracks that went on entirely too long given how monotonous some of the longer songs were. Feadz On is included in those four tracks.
- Kidnies Since this album is considered experimental hip hop, I think one of the more interesting experiments on the album is Inside the Kidney Machine. Not only does it feel like the musical equivalent of being inside a kidney machine, it also feels like you’re playing a horror video game that takes place inside a kidney machine. Could this be the main storyline of the next Resident Evil? You don’t even have to pay me, Capcom. I’m giving you this one, free of charge.
- Build Up I think my biggest problem with a good majority of songs is they don’t really go anywhere. If you have four or five minutes and no lyrics, I think your song needs to slowly build up to something to get and, more importantly, keep my focus. Too many times I found myself asking, “Is that all?”
- Boring While I love minimalist graphic design, I rarely find myself as intrigued by minimalist music. It usually just comes off as boring. And that was the case here. Many of the songs just did not have enough going on for me to really enjoy them. And hearing them over and over didn’t help. I’m pretty sure, if I wanted to, I could yada yada nearly the entire album: “I put on my headphones. I turned on Analog Worms Attack. Yada, yada, yada. Flat Beat finally came on.” Yep. That works.
In Conclusion: I’m not telling anyone to not listen to this album. I think it might be worth a look if this is a genre you are interested in. It might even become a favorite album for the right kind of person. There are some hidden gems to be found, such as Monophonic Shit, and Flat Beat is absolutely a must-listen situation. But I don’t think this is going to end up high on the all-time favorites list for your average person since it really doesn’t hold up to repeat listens.
Finally, please check out his official website. It’s seriously retro-rrific! And it has free music to download for the if it’s free it’s me crowd.
Music Video Links:
Mr. Oizo – Flat Beat (Official Video)