Week 43 (Just A Band 3)


Artist: Beach Boys
Album: Pet Sounds
Release Year: 1966

My Perspective

Imma let you finish, but Pet Sounds is one of the greatest music albums of all-time. When I say greatest, I literally mean greatest. In many GOAT (Greatest Of All Time) album lists, Pet Sounds is listed at not #7, not #6, not #5, not #4, not #3, but #2 or #1. That’s right. Top 2. I’m sure there exists lists where it is rated lower, but I haven’t seen it happen in any of the lists that I read. That’s how often it is rated at the top. If Pet Sounds was your classmate, they would destroy the curve every single time. And you would curse them under your breath for being so damn good. On top of that, this year is the 50th anniversary which makes this review even more special to me.

I didn’t grow up during the era of the Beach Boys’ original popularity and my knowledge of their ‘80s resurgence is limited to an episode of Full House and a Tom Cruise movie. So while some grew up with them being America’s Band, I honestly didn’t know much about them until later in life. To me, they were that surfer band with some good songs. Actually, my first real interest of the Beach Boys came in college because of the song, Brian Wilson, by the Barenaked Ladies. Why would they make him the subject of the song? What’s so special about him? A lot, actually. Brian Wilson had an incredible influence on the music industry most notably through his innovation in the recording studio. With his complex and eventful life, he is definitely deserving of further investigation. I’m sure you can find numerous biographical videos on YouTube.

Album’s Star Power

What Do You Have to Say for Yourself? Gold Star
This album is going to make you ashamed that you spent a measly $7.99 on your current pair of ear buds or decided your Apple ear buds were “good enough”. This is one of the most beautifully recorded albums in the history of music. Every time I listen to this album, I am blown away with how good it is. It’s also incredibly hard for me to be tired of it, even after listening to it on repeat for multiple weeks. I still continue to notice new things I hadn’t caught previously. There is so much depth here. The way everything is arranged among the numerous gorgeous layers of traditional and non-traditional instruments makes you wish you had spent more money on your audio setup. Your ear is pleading with you, on every note, to give it the most authentic experience possible. Your ear wants to hear it as Mr. Wilson intended it. Every muddled instrument is an ear tragedy. If this album doesn’t make you into an audiophile, nothing will.

One of my favorite moments regarding Brian’s composition skills is on the second track, You Still Believe in Me, where Wilson creates this absolutely wonderful false ending around the two-minute mark. Everything slows down, gets quiet, fewer instruments are playing as the diminuendo comes to an end. You really think the song is over. Everything is indicating this is it and then he starts it all over again with a new diminuendo but with a bicycle horn added into the mix. This repeats several times as it fades out to the real ending. I’ve never tried to make a list of my favorite false endings, but this song would be in the top 3.

Creepy Pasta Beatles = Gold Star
I want to talk about the Beatles, since they are very much a part of the story of Pet Sounds, since Sgt. Pepper’s Lonely Hearts Club Band is the other album in that Top 2 I spoke of at the beginning of this review. Now, feel free to disagree with me here, but when I listen to the Beatles discography (mostly the early part), I often feel like I’m listening to a stalker or somebody with a very screwed up view on what is a healthy relationship. The Beatles’ Run for Your Life is a perfect example of creepy Beatles lyrics. I’m going to warn you that once that stalker mindset kicks in, a lot of their songs feel creepy, including even the very innocent sounding I Want to Hold your Hand. I often imagine the woman in this song being stalked by the singer and is completely unaware of his feelings. Songs like Run for Your Life are in stark contrast to the relationship exploration done by Brian Wilson in Pet Sounds.

Let’s compare it to Here Today by the Beach Boys, which was released within a year of Run for Your Life. Both of them are post-break up songs from the point of view of a man who just came out of a relationship.

The Beatles start their song off with:

Well I’d rather see you dead, little girl
Than to be with another man
You better keep your head, little girl
Or you won’t know where I am

That’s um…that’s seriously messed up. But let’s compare that with Here Today which focuses on the frailty of relationships:

Right now you think that she’s perfection
This time is really an exception

Well you know I hate to be a downer
But I’m the guy she left before you found her

Lennon is hyper focused on punishing the woman for leaving him while Wilson is even apologetic that he is being a little rain cloud in regards to the new relationship, but he feels the need to warn this guy about the potential heartache that might await him.  Similar situations. Two very different songs.

Connecting on a Fundamentally Universal Level Gold Star
First, I want to explain something about music that I despise so you can appreciate what Wilson has done on Pet Sounds. When musicians do this, I hate it to the point that I wish they would walk away from music forever. I call it “pandering by generalization” although there might be a better term for it. And it basically comes down to taking one of two approaches: write a song about some general feeling/event, but never give any specifics about what you are writing about (the “nuke it from orbit” approach). The second way (the “shotgun” approach) is to take the opposite extreme by including every possible freaking combination out there so that one of them is bound to match up with the listener. Everything is designed to appeal to as many people as possible to sell more music. The artistic value of the songs clearly takes a backseat to moving units. See if you notice it in other music you listen to after reading this review.

What’s the opposite of this? The writer having the intelligence to recognize a universally shared experience and being able to share it through a personal perspective. Wilson’s dealing of relationships and coming of age stories never feel like pandering. They feel like a man sharing his specific experiences with the rest of the world and you just happen to be able to relate to it. Going back to Wilson’s You Still Believe in Me, the song is talking about a very specific aspect of a relationship that many people can relate to, even if the song doesn’t fit perfectly with their own experience. And that aspect is being appreciative of the fact that your partner still has confidence in you, despite your numerous relationship failures. I know I’ve been there.

In Don’t Talk (Put Your Head on My Shoulders), it’s not even an aspect of the relationship, but a single event of two people embraced in silence. We are getting a very specific moment, but it’s a relatable moment of physical contact trumping verbal communication. Outside of relationships, That’s Not Me covers that time in a young person’s life after going out on their own for the first time. They need to discover who they really are or aren’t. You never feel like he is describing anything, but his own life. However, you also connect with that universally shared moment that everyone goes through as they decide what it means to be an adult after leaving their parent’s house. I have so much respect for Brian Wilson as a songwriter.

Instrumentals Gold Star
Let’s Go Away for Awhile and Pet Sounds are two short instrumental tracks on the album. With the lack of lyrics and vocals, it’s up to the instruments to communicate all of the emotion to the listener. For classical music, this is expected. For a pop album, this is daring. This plays with your expectations and, if it fails to be anything short of amazing, you are going to notice it. You’re also going to wonder why they wasted your time with a sub-par track. Fortunately, neither song does this. Instead, both are beautiful arrangements. In Let’s Go Away for Awhile, the play between woodwind, percussion and strings leave me in awe of the sense of anticipation and optimism that is created. Nothing feels out of place and the acoustic fingerprint of each instrument is complimented perfectly, be it the striking drums, the deep bellow of the woodwinds or the waterfalls that flow out of the strings section. It’s wonderful how the different instruments take turns on who is leading the songs and all without creating a traditional melody. It is one of my favorite tracks on the album.

Game of Words = Gold Star
One reoccurring theme I noticed in Wilson’s lyrics is his playful use of words. One example is the word: dream. There are two distinct meanings of dream. One relates to dreaming during sleep such as “You would not believe the dream I had last night. You had wooden teeth.” The other relates to hope for the future such as Martin Luther King Jr.’s I Have a Dream speech.  In Wouldn’t It Be Nice, the singer spends the entire song discussing the hope of his future together with his significant other as a married coupled and all the great things that await them. This is their dream of the future, and the song ends with the lyrics of “Good night ba-baby, sleep tight, ba-baby” until the songs fades to nothingness, relating back to the dreaming you do when you sleep.

Wilson so articulately conveys the importance of dreams with the verse “You know the more it seems we talk about it, it only makes it worst to live without it, but let’s talk about it” It does not matter how much it hurts to want to fulfill our dreams because keeping our dreams alive is the only way we will fulfill them. This astute commentary goes in contrast with the song’s title, Wouldn’t It Be Nice, which implies a simple nicety, like a comfortable chair rather than this ache of young people wanting to grow up and spend the rest of their lives with each other. This only further illustrates Wilson’s playfulness with the English language.

Final Rating

Gold Star Gold Star Gold Star Gold Star Gold Star

Closing Thoughts

Before I leave you, I highly recommend the stereo version of the album because it helps separate the instruments. I listened to both the mono and stereo while listening to the album on repeat. Stereo felt vastly superior. And I would like to stress that you’re doing yourself a disservice if you don’t sit down and listen to this album with your full attention. There is so much more going on here in terms of sound, composition and lyrics. Pet Sounds was a high mark for the music industry, both in 1966 and for all-time, and it deserves your attention.

Week 41 (Just A Band 1)

The Beatles – Sgt. Pepper’s Lonely Hearts Club Band (1967)


Bottom Line Up Front: This is a 5.0 out of 5 stars album. Were you expecting anything else? This album is usually placed in the top two of all-time greatest albums. Not top ten. Not top five. Top two. Let that sink in for a moment. But is it really deserving all of the praise it’s received over the past nearly 50 years? Let’s find out.

Artist BackgroundCan I really properly describe the best selling musicians in the history of the world with a couple paragraphs? Probably not. I’m just going to cover the basics of the early years for people who aren’t completely familiar with the Beatles so they have a starting point to learn more. The Beatles were formed in 1960 in Liverpool, England. The band consists of John Lennon, Paul McCartney, George Harrison and Ringo Starr. The band was together from 1960 to 1970. They started playing in clubs in the UK and Germany, but ultimately caught the eye of their future manager, Brian Epstein. Brian was eventually able to get them a deal with Parlophone. Through Epstein, the Beatles started working with future producer and long time collaborator, George Martin. Martin is often called the fifth Beatle because of his heavy involvement with their albums. He’s also considered by many to be the greatest producer of all-time. From 1963 to 1970, they released 12 major albums in the UK. If you look at all the internal variations, that number skyrockets to 27 albums. Though Beatlemania started in the UK, it quickly came to the US where the arrival at JFK airport and their appearance on the Ed Sullivan Show became a part of music history. One in three American households watched the Beatles that night. Beatlemania was definitely in full effect. Obviously, there’s a lot more to this incredibly intriguing story, but I need to stop somewhere.

Album Background: Sgt. Pepper’s Lonely Hearts Club Band started out as a concept album as evident by the opening tracks and second to last track featuring the fictional band. It ended up covering many genres including, pop, rock, art rock, psychedelic, and even Indian classical music. It lasts about 40 minutes over 13 tracks. It was an instant commercial and critical success. It was influential in more ways than I can possibly count. It’s been described as a pinnacle moment for western culture. Plain and simple, this is the most important album I can possibly review. Honestly, I can’t think of an album that has spawned more conspiracy theories than this one, which included the death, and look-a-like replacement, of Paul McCartney. It’s worth researching the conspiracies and alleged drug references, if you have the time. It’s a very interesting read.

A big reason why this album is so different is because it was born out of the Beatles frustration with touring. This irritation was obviously showing as the polite and restrained Japanese audiences allowed them to hear, first hand, how terrible their lives shows had become. Normally, the screaming audience masked the poor quality of their performance. The Beatles were hitting a breaking point with their relentless international schedule. Once they quit touring, in addition to the reducing a significant source of stress in their lives, they gained an incredible amount of freedom without having to worry about recreating the music during a live show. They could experiment with music in ways they would have never considered before. Another reason for this album’s significance is due to all of the experimentation the Beatles and George Martin were willing to do in terms of audio engineering. They used techniques nobody ever did before when they recorded Sgt. Pepper. I’m barely scratching the surface here, but I need to move on to the rest of the review.

Favorite Track: I contemplated devising a method that would allow one of my cats to pick my favorite track. That seemed liked a better idea than forcing myself to actually pick one track over another in this timeless album as my favorite. Unfortunately, I couldn’t come up with a good, automated, feline-based favorite track chooser. If I ever do, I’m Kickstarting it and in three or four years after my initial delivery date, reviewers around the world will be able to enjoy having their cats pick their favorite track with little to no effort on their part. Crowdsourcing at it’s finest. Until then, I guess I have to pick it myself. My favorite track… on… Sgt. Pepper’s… Lonely Hearts… Club Band… is… Being For The Benefit of Mr. Kite. I’ve listened to this album many times before I started listening to it for Project. Lt. Morning so I’m going with weirdness on this pick. It’s just a really interesting song. Let’s start with the inspiration for the song. It’s based on a circus poster from the mid-1800s. Being based on an actual poster, Mr. Kite is a real person. The lyrics of the songs are not a word-for-word transcription of the poster. Rather the words/names on the poster were included in the lyrics. A significant change is that the horse’s name was changed, but who is going to try to make Zanthus work in a song? Henry is a much better name and, of course, it spawned yet another drug controversy. The song was written by Lennon and McCartney, but Lennon was the one who owned the poster.

The audio engineering that went into this song is also interesting as Lennon really wanted a carnival atmosphere to be heard on the song. This lead to Martin trying many different approaches, but ultimately ended up with samples being cut into pieces, then being randomly reassembled after being tossed into the air for the famous carousel music parts found throughout the song. Besides the odd lyrics, I love the contrast created by Lennon’s very straight delivery of the lyrics and the numerous sets of rolling notes created by the randomly spliced tape. They complement each other so perfectly. Lennon’s voice also lends itself very well to the unique lyrics.

What Works: 

  • Yin/Yang One of the most wonderful aspects of this album is how well John Lennon and Paul McCartney complement each other. Though, the duo doesn’t just complement each other on the album level with individual tracks, but also on the song level with individual lyrics. Nowhere is this more evident than in the song, Getting Better. Paul’s bubbling over optimism is wonderfully balanced out with Lennon’s cynicism. As Paul sings out “I’ve got to admit, it’s getting better, a little better all the time”, Lennon counters this so beautifully with “It couldn’t go no worse.” I freaking love it. Another example of where their powers combined make for some of the best music on the planet is A Day in the Life. This song sounds like two songs smashed together because that’s exactly what it is. It is a Lennon song smashed together with a McCartney song, and the resulting piece is far superior then what either one of those songs would have been by themselves. Even after all these years, it still sounds amazing and fresh.
  • Sing-Along With a Little Help From My Friends is one of the greatest sing-along songs ever penned. Does it get any better than “Oh, I get by with a little help from my friends, Mmm, I get high with a little help from my friends, Oh, I’m gonna try with a little help from my friends” for a sing-along chorus? I’m not so sure it does. And we all know Oasis’s Champagne Supernova (my generation’s de facto sing-along song) would not exist without the groundwork laid down by the Beatles. Hell, Oasis wouldn’t even exist without the Beatles, for that matter. Let alone that one song.
  • Weirdness The end of Good Morning Good Morning ends with a bunch of random animal sounds. Why? I have no idea. However, I do know it’s awesome.
  • Quality I listened to the 2009 stereo remastered version of this album for my review. Even if I had an original 1st edition UK pressing on 180 gram vinyl, I can’t really walk around with that in my pocket, now can I? Regardless, I freaking love the sound quality of this album. Every instrument and voice is so distinct. I could pretty much focus on any part of a song and easily tune out the rest of it if I wanted to. The mono version probably sounds better for a traditional hifi setup in your house, but I simply adored the stereo version on my headphones eight days a week.

What Doesn’t:

  • Domestic Violence The line “I used to be cruel to my woman I beat her, And kept her apart from the things that she loved” bothered me every time I heard it. I don’t care if it was written in a different time or whatever. That line is fucked. The actual reality of that situation is one of the most despicable things you can possibly do to another human being. It’s never going to be okay with me. Never. My mind just cannot put that at the same level as not liking your school. Feel free to disagree with me.

In Conclusion: As long as this review is, I’ve barely scratched the surface with the Beatles or Sgt. Pepper. There is so much more to write. This is such a good album on so many levels for so many reasons. If for some crazy reason, you haven’t listened to it yet, I urge you to listen to the delightfully weird album that changed everything for modern music. On top of that, you should really peruse their discography. It’s so much fun being able to recognize when the Beatles influences pop up in today’s music. And trust me, they are still popping up.

Music Video Links:
When I’m Sixty-Four (Sort of Official Music Video)
Lucy in the Sky with Diamonds (Sort of Official Music Video)
Sgt. Pepper’s Lonely Hearts Club Band (Sort of Official Music Video)

Streaming/Purchase Links:
Amazon Music

Information Links:
Wikipedia Artist
ikipedia Album
Official Site

Week 36 Review

The Offspring – Americana (1998)


Bottom Line Up Front: This is a 4.85 out of 5 stars album. I’ve been encouraged by multiple people in my life that I need to give the Offspring a serious listen. My editor has been a strong supporter of this effort over the past decade. Her efforts have made me a fan of The Offspring but that serious listen didn’t happen until now with PLTAM. And I’m completely blown away by Americana. There is much more here to love than what I initially expected.

Artist BackgroundThe Offspring have their origins in the early 80s, but they didn’t get their current name until 1986 and didn’t release their first album until 1989. The band was made up of Dexter Holland (vocals, guitar), Noodles (lead guitar), Greg K. (bass) and Ron Welty (drums) at the time of recording. Their breakout album, Smash, didn’t happen until 1994 when it sold 16M copies. It set a record for independent record sales with their label at the time, Epitaph. In fact, it is currently 6X platinum because it still sells reasonably well to this day. With their new success, they eventually moved to the major label, Columbia. It was a messy and controversial transition that is still talked about. I can’t say I disapprove of the move, though, I’m sure there are many punk purists that will never forgive them. But I hope none of them would deny Offspring’s importance in making punk relevant to the mainstream again in the 90s. I think I’m going to end it here as far as covering the history of the band but I would like to add that the Offspring have been incredibly supportive of the digital music revolution. They often tried to make their music available online even when it pissed off the record executives. They also sold Napster T-shirts on their site and donated the profits to Napster. They were doing this when other musicians like Metallica were having complete shit fits about Napster and college students with broadband connections. I absolutely respect them for seeing the bigger picture.

Album Background: Americana is a punk rock album released in 1998. It runs about 44 minutes in length over 13 tracks. It is their fifth album and best charting album having reached number two on the charts. It’s not their best selling, though, as that honor belongs to Smash by a significant margin. The Offspring tried to go back to a more traditional sound with this album as their previous album, Ixnay on the Hombre was kind of experimental and not as well received. Despite the pressures to rebound, Noodles said Americana was very easy to record and this seems accurate as it was recorded in half the time of Ixnay at 18 months instead of 36. Considering again that this is their highest charting album in their discography, I would they say they couldn’t ask for a better rebound. Americana let them show the world that Smash was not a fluke.

I try to keep these album backgrounds short, but there is one more thing I think is worth talking about. The Jerry Springer Show was considered a key influence for the album. Many of the songs are considered short stories of American life rather than satirical views of your average American. It’s an important distinction as I originally viewed the album as mainly satirical after listening to it. One of the songs that was clearly influenced by the show is Why Don’t You Get a Job which covers the topic of relationship leeches. What’s a more interesting influence on the song is the Beatles’ classic Ob-La-Di, Ob-La-Da. Some people said the Offspring ripped off the Beatles with this song but it sounds more like a similar style of music rather than any kind of ripoff. To put this into perspective of what ripping off a song actually means, let’s compare this to the recent Sam Smith/Tom Petty debacle. In that case, Petty was financially compensated and rightfully so. I’m not aware of the Beatles pursuing any legal action and my bet is because they really don’t have a case. Having “I know I’ve heard that before somewhere…” pop into your head after listening to a new song is one of the most fun aspects of being a music nerd.

Favorite Track: I wasn’t in love with every track on the album, but I really liked enough of them that this was not an easy decision for me. However, I’m going with the title track: Americana. So why did this stick out for me? I love a good intro and Americana excels at this. The first thirteen seconds are nothing but the intense sparse beats of a lone drum set. Then a guitar adds to the slow, steady build up followed by some light vocalizations. It’s over a minute before you hear the first lyric. After the first line, everything kicks into hyper gear as the drums and guitars go full throttle. The lyrics perfectly complement the intense delivery of the instruments with classic punk social angst and the occasional swear words.  In this case, the phrase “fuck you” is expertly placed in multiple context to take advantage of the unique flexibility of the F word. The lyrics mostly concentrate on selfish attitudes of the citizens found in the main character’s dystopian visions. Slowly, he is realizing it is, in fact, a dystopian reality.

What Works: 

  • Multifarious I fell in love with this album before I even reached the highway on my Monday morning commute. When I reached a stoplight, I had to look down on my music player to see if the first song was really that short. It wasn’t. Have You Ever is actually made up of sections so distinct that you think a new song started up. For a band to try that on the opening song with a length of only four minutes, seriously impressed me. I knew right there this week was going to be highly enjoyable. Offspring takes this concept even further with the final track, Pay The Man. This song was supposed to be on their previous album, Ixnay on Hombre, but it was so different that it wasn’t a good fit. The song has a Saharan feel to it and is considered to be far more acid rock than punk rock. It has several distinct progressions over eight minutes with no repetition tying them together. They tried to play it at a concert once. The reaction from the crowd was mostly confusion and musings of how high the band must be right now. The experiment was a failure, which is sad because I would absolutely love to see the song played live.
  • Noodles Of all the members, Noodles has caught my attention most as he was an elementary school janitor at the time he joined the band and is rumored to have been brought into the band because he was the only one old enough to buy alcohol at the time. Also noteworthy is that he was stabbed at an anti-nuclear rally early in the band’s career. He has a distinct look with thick black glasses and skunk dyed hair. His aggressive playing style is a key component of the Offspring’s sound and absolutely critical to their success. My editor also love Noodles and now I understand why.
  • Speed Dexter does most of his writing in his car. He’ll write stuff down when he’s stuck in traffic jams and such. It’s kind of funny that while he’s going so slow that he’s able to see gum clearly on the highway, he’s writing lyrics that are inspiring drivers worldwide to get speeding tickets. I don’t think I’ve ever felt the need for speed quite as much as I did while listening to Americana on my daily commute. And it’s great because each member of the band contributes to this overwhelming feeling to push on the gas pedal. Have You Ever, Staring at the Sun, The Kids Aren’t Alright, Walla Walla, Americana and of course, No Brakes are fantastic songs to get your heart pounding. I don’t condone speeding, but I do wonder how many times the phrase “Sorry officer, but I was listening to Offspring’s Americana.” has been uttered by a driver after they’ve been pulled over.

What Doesn’t:

  • Feelings I hated this song every single time I heard it on the album. It’s a punk cover of the 1975 pop song, Feelings. Feelings is considered one of the worst songs ever recorded. There are really two main reasons I hate this song. The first is that the album is flawless up until it’s played. Worse yet the song is right after one of Offspring’s masterpieces, The Kids Aren’t Alright, which is about the destruction of teenagers whole fall through the cracks of society as they approach adulthood. The other reason I hate the song is that it magnifies any and all weaknesses the band has. It’s almost like they wanted to highlight their flaws and give their detractors as much ammunition as possible when they put it on the album. If somebody wants to say Dexter is crappy singer, it’s pretty easy to make your case thanks to Feelings unfortunately.

In Conclusion: Americana is a worthwhile listen. I enjoyed this album all week. Offspring does a great job of mixing it up throughout the album with good pop sensibilities and creative song progressions to produce a memorable punk rock album. Just please be careful if you plan on listening to it in your car. I’m not paying for anybody’s speeding ticket.

Music Video Links:
The Offspring – The Kids Aren’t Alright (Official Video)
The Offspring – Why Don’t You Get A Job (Official Video)
The Offspring – She’s Got Issues (Official Video)
The Offspring – Pretty Fly (For A White Guy) (Official Video)

Streaming/Purchase Links:
Amazon Music
Google Play
XBOX Music

Information Links:
Wikipedia Artist
ikipedia Album
Official Site

Week 19 Review

In 1969 the Beatles released Abbey Road onto the world. It was the last time that all four were together in the studio and the final album released under their longtime collaborator George Martin.      

Artist: The Beatles {John Lennon – vocals, rhythm guitar; Paul McCartney – vocals, bass guitar; George Harrison – lead guitar, vocals; Ringo Starr – drums, vocals}
Album: Abbey Road
Year: 1969
Genre: Rock
Rating: 5/5

Worth Your Time? Since it includes some of the greatest moments in modern music history, it is a must listen for everyone.

Twitter Review: Despite relationships between the fab four being strained at this point, the Beatles put out a classic album filled with many surprises.

 Top 3 Tracks:

  1. The Medley
  2. Come Together
  3. Because

Things to Look For:

  • George’s Peak. Harrison’s songwriting tends to have a hard time shining on a Beatles album since he is always competing with Lennon and McCartney. But on Abbey Road, Harrison is absolutely at the top of his game with Something and Here Comes the Sun. Something is such a beautiful love song. In particular, I appreciate the lyrics: You’re asking me will my love grow, I don’t know, I don’t know, You stick around now it may show, I don’t know, I don’t know. Those lines beautifully capture the uncertainty of relationships that we all face. Here Comes the Sun is also expertly crafted as you can easily feel the snow melting and picture the animals coming out of slumber to enjoy the budding spring weather while the song plays.
  • The Medley. A significant portion of the second half of the album is dedicated to a medley made up of eight songs. It is includes You Never Give Me Your MoneySun KingMean Mr. MustardPolythene PamShe Came in Through the Bathroom WindowGolden SlumbersCarry That Weight and The End. It doesn’t flow perfectly at all transitions because there were some changes afterwards in ordering. And even though Lennon has referred to some of the songs he wrote for the medley as “a bit of crap,” I consider The Medley the high point of the album. The combination of the eight pieces far exceeds anything a single part could accomplish. Basically, John wrote the front half and Paul wrote the back half for those interested.
  • Ringo’s Drumming. Starr is not a fan of drum solos. So on The End, they turned Ringo’s playing into a drum solo by dialing back the other instruments that were being played at the time. It’s very fitting for him to have a solo on this track as Paul, George and John take turns playing 2 bar guitar solos for much of the song. I know it’s not a particularly complicated solo but I think it’s absolutely perfect. And he is, of course, rock solid on the rest of the album.
  • Hidden Track. Her Majesty, which was cut from The Medley originally, is one of the earliest examples of hidden tracks on a rock album. It’s incredibly short at 23 seconds but I love the innocence and simplicity of it. Referring to drinking alcohol to get up the nerve to talk to a woman as a “I gotta get a bellyful of wine” combines an adult activity with a childlike innocence to create an authentic portrait of the hopeless romantic.

Low Points: While I thoroughly enjoy Lennon’s contributions to The Medley and love the uniqueness of Because, I don’t think I Want You (She’s So Heavy) was an ideal execution. Nobody should be surprised here when I say the song is a love song about Yoko Ono. It is the Beatles second longest song in their discography at nearly eight minutes. It’s a fairly basic song in its structure but is dragged out through massive repetition and additional ever increasing white noise at the end. I understand how highly influential and important this song is with such a dark sounding riff being featured. But I would rather have them carried it out in a more straight forward manner such as they did in Oh! Darling where they did a flawless execution of a traditional sounding song. If you love the song, that’s great. I don’t.

Anything Else: Abbey Road created an incredibly unique experience for me during the week that no other album has done to date. Every morning on the way to work I would listen to the album and be in complete awe of how amazing it was. And during every commute back home I would loathe the album wondering if I could stand it another day. I know that makes no sense. Maybe the Beatles don’t lend themselves well to being listening to on repeat? Maybe I’ve listened to them too much in my lifetime as Come Together being played on a 7″ record by my mom as she showed me her collection is my earliest musical memory I have? Maybe it was all the stress from being extremely busy at work? I honestly don’t know. It will be interesting to see if this happens on another one of their albums.

Special Guest Review
by renowned Beatles expert, Adolf T. Cat

adolf t cat

The Beatles are an overrated boy band without a single musical bone in their collective bodies. Unless you’re a 12 year old girl stuck in 1963, you have no business liking this crap. Lennon is and should always be remembered as a pretentious twat. God, do I hate him. His other three cohorts Denim Dan, Shoeless Joe and Dufus have no business ever being in a band. All of their “songs” were secretly about sex or drugs. They corrupted an entire generation back then and continues to corrupt today’s youth. My current theory for the Beatles longevity is that incredibly bad taste in music must be a dominant gene. Abbey Road, like all of their other albums, sucks. Get over it and go find a real band. (0/5 stars)

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