Week 25 Review (End of Summer Blow Up 4)

This week I’m reviewing my favorite hip hop album from 2013: Jarren Benton’s My Grandma’s Basement. It did chart but nowhere near as high as it should have. Actually, anything less than #1 is too low.


Artist: Jarren Benton {Jarren Benton, emcee; Kato aka Christopher Ju, producer}
Album: My Grandma’s Basement
Year: 2013
Genre: Hip Hop
Rating: 5/5

Worth Your Time? Benton has an incredible flow that everyone should familiarize themselves with.

Twitter Review: The combination of Benton and his talented producer Kato make My Grandma’s Basement a fantastic album worthy of many repeat listens.

Top 3 Tracks:

  1. My Grandma’s Basement
  2. Heart Attack
  3. My Adidas

Things to Look For:

  • Benton’s Flow. I love when Jarren raps. I love it. He can spit fire word after word while making it all seem so effortless but he’s smart enough to break it up occasionally with some really interesting rhythms. On PBR & Reefer, Benton starts out with a stutter step for the first couple lines which actually complement the chorus perfectly. Now contrast with his delivery in Life in the Jungle where he’s going at a frantic pace to reflect the intensity of innercity life. I think that Benton is so used to going fast that going slow throws him off. In Dreams, Benton actually has a fairly slow delivery reflective of the subject matter. And this song contains the only moment on the album where I think Jarren isn’t flawless. It’s actually awkward for a fraction of a second. I’m not going to tell you where it is. I want to see if you can pick it out. And it only sticks out to me because he is so amazing everywhere else.
  • Kato! Kato’s name is said in the beginning of nearly every track in one way or another for every track he produced on this album.  And he absolutely deserves the recognition. The first three tracks of the album (Razor Blades & Steak KnivesLife in the Jungle and Don’t Act) are produced by Kato. The beginning  is probably the most consistently enjoyable section of the album in large part thanks to Kato’s big beats. The production of Razor Blades & Steak Knives is particularly impressive thanks to the false ending. The first time I heard it, I thought a new song had actually started but nope. I was still listening to the first track.
  • OMG Hilarious. Even More No Homo (skit) is not the most politically correct skit to laugh at. But George Carlin said even rape can be funny and further explains: “I believe you can joke about anything. It all depends on how you construct the joke. What the exaggeration is…because every joke needs one exaggeration. Every joke needs one thing to be way out of proportion.” And this skit absolutely nails it. My brother and I laughed about this skit for weeks. I think it is hilarious regardless of your outlook on gay rights. Feel free to disagree if you want. But I’m still probably going to keep laughing every time I hear it.
  • Serious Like A Heart Attack. I have to mention Heart Attack. The subject matter is very dark as it describes the brutal murder of an ex after an uncontrollable rage building up inside is finally let loose. Domestic violence is inexcusable, but Jarren does an excellent job communicating his rage to listeners. And thankfully, at least, has an ending with very real consequences with the cops closing down on him shortly after the murder.  The real surprise about this song is the last minute which sounds similar to Pink Floyd’s Great Gig in the Sky. Benton counts several non-rap musicians as primary influences so should I really be surprised to see some Pink Floyd pop up on his album? Probably not.
  • Even More Serious. The best song on the album is My Grandma’s Basement. Why? One reason is because this is one of the few songs on the album where Jarren does not resort to shock value in his verses. Now is probably an appropriate time to bring up that a lot of his delivery and word choice reminds me of Eminem’s Slim Shady LP. Even on Cadillacs & Chevys Jarren says “They say I sound like Eminem.” So I’m not the only one to notice the parallels. I honestly think that Jarren’s wordplay is a bit more inventive. So many times, I was impressed with the way Benton combines and relates ideas in his verses. Many times those ideas were meant to shock but they were impactful on me regardless. But in My Grandma’s Basement he seems to focus on some very real and universal fears about moving your life forward and making something of yourself before you become trapped. I really hope to see less shock and more tracks like this on his next album. I know he is more than capable of it with this track and My Adidas. Equally interesting is the beats used on the track, which make you feel like you too are going to be swallowed up by the basement with Jarren never to be seen again. Those are some seriously claustrophobic beats.

Low Points: While Big Rube Interlude is quite good and sounds like it belongs on a Quentin Tarantino movie with a beautiful trumpet solo, Dreams doesn’t appeal to me as much as the rest of the album. It seems too different from the rest of the tracks. It almost feels like an obligatory slow song more than anything. And with an album runtime of over 70 minutes, I probably wouldn’t have missed it if it was left on the floor of the recording studio. Big Rube, by the way, is known for doing these interludes. He has done them for several artists.

Anything Else: I just wanted to share the song that first introduced me to Jarren Benton. The song is Skitzo and it’s incredibly catchy. It highlights many of the reasons why I instantly fell in love with his music in the first place and it also has a great ending. If I remember correctly, Hopsin (who later signed Benton to Funk Volume) had mentioned it through social media. My brother caught hold of it and then showed it to me. And Skitzo is probably the only single I’ve bought since I got out of college, so that’s saying a lot of how much I wanted it. (I’m more of an album kind of guy if you couldn’t figure that out.) It was featured on a compilation and none of the other tracks really appealed to me so I bought the track by itself. And the rest is history. Now you all need to tune into his new album My Grandma’s Basement. I hope you like it.

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